“The Bigger Picture” – Exbition at Studio 44, Stockholm, 22 April – 2 May 2021
Thank you Andréa Hösel for organizing and curating the exhibition, Sveriges konstföreningar for supporting it, and participating artists for a great collaboration. Artists: Cristina Hedlund, Andréa Hösel, Björn Lundell, Natalie Sutinen, Nina Wedberg Thulin, Helena Öhman Below some pictures of
“The Bigger Picture” – Exbition at Studio 44, Stockholm, 22 April – 2 May 2021
Thank you Andréa Hösel for organizing and curating the exhibition, Sveriges konstföreningar for supporting it, and participating artists for a great collaboration. Artists: Cristina Hedlund, Andréa Hösel, Björn Lundell, Natalie Sutinen, Nina Wedberg Thulin, Helena Öhman Below some pictures of
“Burning Seconds” – Exhibition at the gallery, Reimensholme Hotel, Stockholm, August 2020
”In my paintings I work with a set of basic geometric shapes and structures (like squares, triangles and grids). They serve both to set scales in space, and as useful elements to hide and show the craft of painting itself.
“Burning Seconds” – Exhibition at the gallery, Reimensholme Hotel, Stockholm, August 2020
”In my paintings I work with a set of basic geometric shapes and structures (like squares, triangles and grids). They serve both to set scales in space, and as useful elements to hide and show the craft of painting itself.
MY CITY: EUROPE
I was happy to represent Sweden in the the exhibition “MY CITY: EUROPE” presented in the previous Archaeological Museum Yeni Cami in Thessaloniki 17/10-03/11 2018. The exhibition was curated by Alexandra Marati and Thomas Mark. “Am Meer” (glass mosaic on
MY CITY: EUROPE
I was happy to represent Sweden in the the exhibition “MY CITY: EUROPE” presented in the previous Archaeological Museum Yeni Cami in Thessaloniki 17/10-03/11 2018. The exhibition was curated by Alexandra Marati and Thomas Mark. “Am Meer” (glass mosaic on
“Made in paint 2018”, exhibition at The Sam and Adele Golden Galley (The SAGG), New Berlin (NY), April – July 2018
Picture from the opening night April 7th 2018 “STEPS” (no. one of four parts) 18 x 24 inches, Acrylic on linen. “STEPS” (no. two of four parts) 18 x 24 inches, Acrylic on linen. “STEPS” (no. three of four parts) 18
“Made in paint 2018”, exhibition at The Sam and Adele Golden Galley (The SAGG), New Berlin (NY), April – July 2018
Picture from the opening night April 7th 2018 “STEPS” (no. one of four parts) 18 x 24 inches, Acrylic on linen. “STEPS” (no. two of four parts) 18 x 24 inches, Acrylic on linen. “STEPS” (no. three of four parts) 18
Nordic Salon at Dunkers kulturhus in Helsingborg, Nov. 2017- Feb. 2018
“Hinter schwedischen Gardinen” Acrylic and alkyd oil on wood panels 300 x 309 cm
Nordic Salon at Dunkers kulturhus in Helsingborg, Nov. 2017- Feb. 2018
“Hinter schwedischen Gardinen” Acrylic and alkyd oil on wood panels 300 x 309 cm
Residency at Sam and Adele Golden Foundation for the Arts, New Berlin, NY, Autumn 2017
Together with Helen O’Leary and Hyoyoun Lee, I lived and painted in this amazing reconstructed barn during the residency at Sam and Adele Golden Foundation for the Arts. Happy walks with Lee and Helen. Great technical sessions together with Helen and Lee
Residency at Sam and Adele Golden Foundation for the Arts, New Berlin, NY, Autumn 2017
Together with Helen O’Leary and Hyoyoun Lee, I lived and painted in this amazing reconstructed barn during the residency at Sam and Adele Golden Foundation for the Arts. Happy walks with Lee and Helen. Great technical sessions together with Helen and Lee
“Hallo Esther, bist du da?” Exhibition at Urania, Vienna, May 2017.
“Hallo Esther, bist du da?” 2017, acrylic on wood panels, 300 x 309 cm
“Hallo Esther, bist du da?” Exhibition at Urania, Vienna, May 2017.
“Hallo Esther, bist du da?” 2017, acrylic on wood panels, 300 x 309 cm
Exhibition “Hauch”at ArtRooms, Vienna, 9th of November 2016 – 9th of March 2017.
Installation view “Hauch I”, 2016, wax colour on linen canvas, 30 x 30 cm “Hauch II”, 2016, wax colour on linen canvas, 30 x 30 cm “Hauch III”, 2016, wax colour on linen canvas, 30 x 30
Exhibition “Hauch”at ArtRooms, Vienna, 9th of November 2016 – 9th of March 2017.
Installation view “Hauch I”, 2016, wax colour on linen canvas, 30 x 30 cm “Hauch II”, 2016, wax colour on linen canvas, 30 x 30 cm “Hauch III”, 2016, wax colour on linen canvas, 30 x 30
“Art of Diplomacy” at Kunstforum, Vienna, November 2016.
Installation view Installation view “Für Abraxas”, 2016, oil on linen canvas, 70 x 70 cm “P.S. Saint-Tropez, opus 240”, 2016, wax colour on linen canvas, 30 x 30 cm Installation view “Die Zukunft formt sich”,
“Art of Diplomacy” at Kunstforum, Vienna, November 2016.
Installation view Installation view “Für Abraxas”, 2016, oil on linen canvas, 70 x 70 cm “P.S. Saint-Tropez, opus 240”, 2016, wax colour on linen canvas, 30 x 30 cm Installation view “Die Zukunft formt sich”,
Group Exhibition at Galerie BeLLeArTi, Wien 2016.
“Genau”, 2016, acrylic and oil on linen canvas, 60 x 60 cm “Durchlass”, 2016, acrylic and oil-alkyd on linen canvas, 120 x 240 cm “Roma IV, Roma III”, 2015, oil on linen canvas, 60 x 60 cm (x
Group Exhibition at Galerie BeLLeArTi, Wien 2016.
“Genau”, 2016, acrylic and oil on linen canvas, 60 x 60 cm “Durchlass”, 2016, acrylic and oil-alkyd on linen canvas, 120 x 240 cm “Roma IV, Roma III”, 2015, oil on linen canvas, 60 x 60 cm (x
Exhibition “Malerei” at Galerie die Schöne, Wien 2016, Björn Lundell and Elisabeth Frieberg
“Samstag”, 2015, acrylic and oil on linen canvas, 120 x 190 cm Installation view “Sorrow”, 2016, acrylic on linen canvas, 200 x 200 cm “Sorrow”, side 2 “S.P.Q.R.”, 2016, alkyd on wood panels, 309 x 300
Exhibition “Malerei” at Galerie die Schöne, Wien 2016, Björn Lundell and Elisabeth Frieberg
“Samstag”, 2015, acrylic and oil on linen canvas, 120 x 190 cm Installation view “Sorrow”, 2016, acrylic on linen canvas, 200 x 200 cm “Sorrow”, side 2 “S.P.Q.R.”, 2016, alkyd on wood panels, 309 x 300
Rom-Karlskrona 2015
Målning “Piani” 2015, olja på akrylgrunderad linneduk, mått 1050 x2100mm Hängning av utställningen Rom-Karlskrona på Blekinge museum. Åsa är med och hjälper till. Detalj av målning Detalj av målningen “Piani”. Oljefärgen är något tunnad och målad på akrylgrunderad linneduk. färgen
Rom-Karlskrona 2015
Målning “Piani” 2015, olja på akrylgrunderad linneduk, mått 1050 x2100mm Hängning av utställningen Rom-Karlskrona på Blekinge museum. Åsa är med och hjälper till. Detalj av målning Detalj av målningen “Piani”. Oljefärgen är något tunnad och målad på akrylgrunderad linneduk. färgen
ROM 4
Solen skiner och luften börjar bli kylig här i Rom. Under den sena eftermiddagen är ljuset fantastiskt i Villa Borghese. På träden sitter löven kvar och i staden råder ett lugn. December är en vacker månad här i Rom. I början
ROM 4
Solen skiner och luften börjar bli kylig här i Rom. Under den sena eftermiddagen är ljuset fantastiskt i Villa Borghese. På träden sitter löven kvar och i staden råder ett lugn. December är en vacker månad här i Rom. I början
ROM 3
I Rom öser regnet ner och det är åska. Det är ungefär en månad sedan jag anlände till den eviga staden, där alla tider sedan antiken finns närvarande. Jag jobbar på med projektet, som känns roligt och utmanande. Mycket tid tillbringar
ROM 3
I Rom öser regnet ner och det är åska. Det är ungefär en månad sedan jag anlände till den eviga staden, där alla tider sedan antiken finns närvarande. Jag jobbar på med projektet, som känns roligt och utmanande. Mycket tid tillbringar
ROM 1
ROM 2013-09-09 Väl framme i ett Rom där solen fortfarande värmer stenen. Efter en hektisk period av förberedelser i Stockholm anlände jag i onsdags eftermiddag till Svenska institutet I Rom. Jag blivit väll mött och är nu installerad i en
ROM 1
ROM 2013-09-09 Väl framme i ett Rom där solen fortfarande värmer stenen. Efter en hektisk period av förberedelser i Stockholm anlände jag i onsdags eftermiddag till Svenska institutet I Rom. Jag blivit väll mött och är nu installerad i en
VISION REGION
Exjobb 2011, Arkitektur KTH Ett projekt som visar hur Mälardalen kan utvecklas till flerkärnig stadsregion. En hållbar stadsutveckling, med ökad närhet till naturen, ett lugnare tempo och högre livskvalitet. Bakgrunden är att befolkningen förväntas öka med 600 000 – 800
VISION REGION
Exjobb 2011, Arkitektur KTH Ett projekt som visar hur Mälardalen kan utvecklas till flerkärnig stadsregion. En hållbar stadsutveckling, med ökad närhet till naturen, ett lugnare tempo och högre livskvalitet. Bakgrunden är att befolkningen förväntas öka med 600 000 – 800
LABORATORI DI SINTESI FINALE
Università degli studi di Ferrara Facoltà di Architettura Prof. Gabrielle Lelli .
LABORATORI DI SINTESI FINALE
Università degli studi di Ferrara Facoltà di Architettura Prof. Gabrielle Lelli .
PROGETTO DI UN CICLO OSTELLO
This project take place by the adriatical cost in Puglia, in southern Italy. Puglia has a mediterian climat. that means it has a dry hot summer and a mild vinter. I choosen to make a closed bulding with a courtyard similar
PROGETTO DI UN CICLO OSTELLO
This project take place by the adriatical cost in Puglia, in southern Italy. Puglia has a mediterian climat. that means it has a dry hot summer and a mild vinter. I choosen to make a closed bulding with a courtyard similar
DANCE-THEATER AT NORRA BANTORGET
DANCE-THEATER AT NORRA BANTORGET The intension with the project is to make an area with a distinct atmosphere to give it identity. The traffic in the area is reorganised to create one square of Norra bantorget and the schoolyard of
DANCE-THEATER AT NORRA BANTORGET
DANCE-THEATER AT NORRA BANTORGET The intension with the project is to make an area with a distinct atmosphere to give it identity. The traffic in the area is reorganised to create one square of Norra bantorget and the schoolyard of
Ljuset och det vita
In deliberately positioning my paper in this way, I want to emphasize its focus on particular instances in the cultural productions of capitalism, (especially) in terms of material and spatial transformations. The ‘cultural, geographical and historical specificity’ of these processes
Ljuset och det vita
In deliberately positioning my paper in this way, I want to emphasize its focus on particular instances in the cultural productions of capitalism, (especially) in terms of material and spatial transformations. The ‘cultural, geographical and historical specificity’ of these processes
Exhibitions
SAMSPEL / INTERACTION 2003 Galleri Fokus, Oxelösunds bibliotek POSTER 500X700
IN BETWEEN
“With the sensations of the city in my mind, I am searching the silence. With the song of nature in my heart I return to a life in culture.”
IN BETWEEN
“With the sensations of the city in my mind, I am searching the silence. With the song of nature in my heart I return to a life in culture.”
BJÖRN LUNDELL 